I have never felt it necessary to explain my work and to be quite honest I still don´t. But at times, people make me feel uncomfortable and I feel pressured into saying something about this album. This is something I dislike intensely, from the viewpoint that visual art is strongly oblidged to get the message across 'visually'. I stopped working directly on the streets some time ago, as the costly work is often removed a day or two later, leaving me high and dry and often nursing a badly-bruised bank account. I feel lamed and unable to practise on the streets in the classical sense. The majority of artists cannot afford a billboard on Wall Street but this does not mean they cannot participate in current affairs and realise their work with an alternative medium. So I created a virtual platform to deal with social, political and thrivial issues in a random fashion. It is partially an initiative that challenges corporate and political presence in everyday advertisement - memetising and humorously ridiculing their primary intention or even revealing a deeper truth from within. Ad-Bashing is a particular favourite of mine. Although I percieve this to be street art in it´s essence and effect, the classic street art definition may view this as a very distant or even unworthy comparison. So I have added the term "Street-Art-Related". As it seems, the voice of the world has taken to the streets of our cities more strongly since 2010. It inspires protesters, realtime street-artists but also graphic artists like me to virtually roam the streets of our cities worldwide, whereby my engagement focus´s on a spontaneous and intuitive participation primarily intended as deepwitted and spontaneous reaction and less intellectual confrontation of the facts surrounding daily political, social and trivial issues -however-, not without creative and intelligent composition to achieve loud statements with entertaining value - if not - an important virtual presence. I do not aspire to change the definition of street art but simply offer to expand its existing boundaries through the application of image editing techniques that create an alternative illusion or deception. Today "street art" encompasses many media forms and techniques. Photo manipulation is already widely accepted as an art-form and more and more inter-related with street art than realised. I am pleading for awareness of this as a small part of my work. The street and the net are where most of my ideas are born. I have now become "The Armchair Street Artist".